Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin's 'Membra Jesu nostri, BuxWV 75: Ad pedes. Clavos pedum, plagas duras' came out on March 31, 2015. With Membra Jesu nostri, BuxWV 75: Ad pedes. Clavos pedum, plagas duras being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 42 in Buxtehude: Membra Jesu nostri, BuxWV 75 by Dietrich Buxtehude, Walter Testolin, RossoPorpora Ensemble. Membra Jesu nostri, BuxWV 75: Ad pedes. Clavos pedum, plagas duras is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu nostri, BuxWV 75: Ad pedes. Clavos pedum, plagas duras by Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Organ Concerto No.5 in F, Op.4 No.5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
Concerto in D Major, Op. 6 No. 6: I. Largo | Charles Avison, Café Zimmermann | D♭ Major | 1 | 3B | 108 BPM | ||
Biber: Plaudite tympana a 54 | Heinrich Ignaz Franz von Biber, Amsterdam Baroque Orchestra, Ton Koopman, Amsterdam Baroque Choir | A♭ Major | 2 | 4B | 85 BPM | ||
Concerto in C Minor, Op. 6 No. 3: III. Grave | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | B♭ Minor | 2 | 3A | 70 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Vivace | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | A Major | 4 | 11B | 76 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Prima die Lectio prima: V. Plorans ploravit | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 0 | 2B | 103 BPM |
Section: 0.5840833187103271
End: 0.5887148380279541