György Ligeti, Marion Ralincourt, Hélène Mourot, Christian Laborie, Michaël Rolland, Pierre Rougerie made "Six Bagatelles for Wind Quintet: VI. Molto vivace - Capriccioso - Live" available on September 23, 2016. With Six Bagatelles for Wind Quintet: VI. Molto vivace - Capriccioso - Live being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in György Ligeti, François-Xavier Roth, Les Siècles's "Ligeti: Six Bagatelles, Kammerkonzert & Dix pièces pour quintette à vent (Live)" album is number 6 out of 20. On top of that, France appears to be the country where this track was created. Six Bagatelles for Wind Quintet: VI. Molto vivace - Capriccioso - Live is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Six Bagatelles for Wind Quintet: VI. Molto vivace - Capriccioso - Live by György Ligeti, Marion Ralincourt, Hélène Mourot, Christian Laborie, Michaël Rolland, Pierre Rougerie to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For Violin And Orchestra: 1. = 104 - = 120 | Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | D Minor | 1 | 7A | 130 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM | ||
Schoenberg: 6 Little Piano Pieces Op. 19: No. 3 Sehr langsame Viertel | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 0 | 6B | 70 BPM | ||
Études, Book 1: No. 1, Désordre | György Ligeti, Pierre-Laurent Aimard | D♭ Major | 5 | 3B | 114 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): II. Quietly and with a cruel reverberation | Toru Takemitsu, Kotaro Fukuma | C Major | 0 | 8B | 100 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM |
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