Darius Milhaud, Orchestre National de Lille, Jean-Claude Casadesus's 'Le Boeuf sur le toit (The ox on the roof), Op. 58' came out on June 1, 2005. Le Boeuf sur le toit (The ox on the roof), Op. 58 appears to be safe for all ages as it is not explicit. The track order of this song in Darius Milhaud, Jean-Claude Casadesus's "Milhaud: La Creation Du Monde / Le Boeuf Sur Le Toit / Suite Provencale" album is number 2 out of 18. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Le Boeuf sur le toit (The ox on the roof), Op. 58 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Boeuf sur le toit (The ox on the roof), Op. 58 by Darius Milhaud, Orchestre National de Lille, Jean-Claude Casadesus to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
Sarabande et rigaudon, Op. 93: Rigaudon | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | E Major | 2 | 12B | 121 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra | A Major | 2 | 11B | 74 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Musique funèbre maconnique, K. 427 | Wolfgang Amadeus Mozart, Orchestre National de Lille, Jean-Claude Casadesus | E Major | 0 | 12B | 56 BPM | ||
Suite pour piano seul Le Printemps: Modéré | Darius Milhaud, Christian Ivaldi | E♭ Major | 0 | 5B | 0 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM |
Section: 0.7973246574401855
End: 0.8014092445373535