Ottorino Respighi, Riccardo Chailly, Orchestra Filarmonica Della Scala, David Hinitt made "Pini di Roma: I. I pini di Villa Borghese" available on September 11, 2020. The duration of Pini di Roma: I. I pini di Villa Borghese is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Pini di Roma: I. I pini di Villa Borghese's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Respighi". In this album, this song's track order is #1. Pini di Roma: I. I pini di Villa Borghese is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Pini di Roma: I. I pini di Villa Borghese by Ottorino Respighi, Riccardo Chailly, Orchestra Filarmonica Della Scala, David Hinitt having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | A♭ Minor | 0 | 1A | 71 BPM | ||
Respighi: Gli uccelli, P. 154: II. La Colomba | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 0 | 11A | 170 BPM | ||
Piano Concerto in F Major: III. Allegro agitato | George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta | A♭ Major | 2 | 4B | 87 BPM | ||
12 Songs, Op. 21: VII. Zdes' Khorosho (Orchestral Version) | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Major | 0 | 11B | 76 BPM | ||
Scherzo | Giacomo Puccini, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F Major | 1 | 7B | 77 BPM | ||
Jazz Suite No.2: 3. Dance I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | A Major | 4 | 11B | 79 BPM | ||
Symphony No. 4 in D Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 144 BPM | ||
Clarinet Concerto in C Minor, Op. 31: I. Allegro vigoroso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 79 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea (Dialogue du vent et de la mer) | Claude Debussy, Concertgebouworkest, Bernard Haitink | D♭ Major | 1 | 3B | 83 BPM | ||
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM |
Section: 0.6668696403503418
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