George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown's 'Concerto Grosso in F Major, Op. 6, No. 9, HWV 327: III. Larghetto' came out on January 1, 2000. The duration of Concerto Grosso in F Major, Op. 6, No. 9, HWV 327: III. Larghetto is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Concerto Grosso in F Major, Op. 6, No. 9, HWV 327: III. Larghetto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12" album is number 18 out of 32. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Concerto Grosso in F Major, Op. 6, No. 9, HWV 327: III. Larghetto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto Grosso in F Major, Op. 6, No. 9, HWV 327: III. Larghetto by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in F Major, Op. 1, No. 7: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 133 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: III. Allegro moderato | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 182 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Flute Sonata in B minor, HWV 376 "Halle" No. 3: 3. Largo | George Frideric Handel, Academy of St. Martin in the Fields, William Bennett, Nicholas Kraemer, Denis Vigay | D Minor | 4 | 7A | 152 BPM | ||
Stölzel: Oboe Concerto in D Major, HauH 5.3: III. Allegro (Arr. for Trumpet) | Gottfried Heinrich Stölzel, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 123 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
Suite in G minor: IX. Passepied (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | B♭ Major | 1 | 6B | 82 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Concerto for Treble Recorder, Strings and Continuo in C major, TWV 51:c1: 2. Allegro | Georg Philipp Telemann, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | C Major | 3 | 8B | 127 BPM |
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