"First Set of Madrigals and Pastorals, 1613 -Have I Found Her" by Francis Pilkington, Alfred Deller, Deller Consort was released on May 19, 2009. The duration of First Set of Madrigals and Pastorals, 1613 -Have I Found Her is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. First Set of Madrigals and Pastorals, 1613 -Have I Found Her's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 135 in Alfred Deller: Madrigals, Complete Deller Vol. 5 by Alfred Deller, Deller Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, First Set of Madrigals and Pastorals, 1613 -Have I Found Her's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of First Set of Madrigals and Pastorals, 1613 -Have I Found Her by Francis Pilkington, Alfred Deller, Deller Consort is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Suite No. 1 in C Major: II. Spagnoletta | Michael Praetorius, The New York Renaissance Band, Sally Logemann | C Major | 0 | 8B | 112 BPM | ||
Tout par compas suy composés | Baude Cordier, Ferrara Ensemble, Crawford Young | E Minor | 0 | 9A | 90 BPM | ||
The Spanish paven | Francis Pilkington, Atrium Musicae de Madrid, Gregorio Paniagua | D Major | 0 | 10B | 92 BPM | ||
Fantasia (I) | Cuthbert Hely, Jakob Lindberg | G Minor | 1 | 6A | 88 BPM | ||
Lo vegio per stasone | Antonio da Cividale, Ferrara Ensemble, Crawford Young | F Major | 0 | 7B | 79 BPM | ||
Instrumental piece II | Hildegard von Bingen, Sequentia, Margriet Tindemans | C Major | 0 | 8B | 136 BPM | ||
Tout par compas, Fol. 12 (Rondeau/Canon) | Baude Cordier, Tetraktys | E Minor | 9 | 9A | 135 BPM | ||
Canario | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 96 BPM |
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