Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon's 'Concerto For 2 Violins, Strings And Continuo In G Major, RV 516: 2. Andante (molto)' came out on January 1, 2008. With Concerto For 2 Violins, Strings And Continuo In G Major, RV 516: 2. Andante (molto) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Concertos for two Violins by Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon. The song's track number on the album is #2 out of 18 tracks. In terms of popularity, Concerto For 2 Violins, Strings And Continuo In G Major, RV 516: 2. Andante (molto) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto For 2 Violins, Strings And Continuo In G Major, RV 516: 2. Andante (molto) by Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto For 2 Violins, Strings And Continuo In G Major, RV 516: 2. Andante (molto) being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in G Minor, Op. 1, No. 12: V. Gavotta | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 109 BPM | ||
Concerto Grosso for 2 Violins, Strings and Continuo in A Minor, Op. 3/8, RV. 522: III. Allegro | Antonio Vivaldi, Elizabeth Wilcock, Michaela Comberti, The English Concert, Trevor Pinnock | B♭ Major | 3 | 6B | 72 BPM | ||
Cello Concerto in B-Flat Major, Wq. 171: III. Allegro assai | Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit | F Major | 2 | 7B | 148 BPM | ||
Le nozze di Figaro, K.492: Overture | Wolfgang Amadeus Mozart, La Cetra Barockorchester Basel, Andrea Marcon | D Major | 1 | 10B | 72 BPM | ||
Quintet (Sinfonia spirituosa) In D Major TWV 44:1, For 2 Violins, Viola And Basso Continuo: 3. Vivace | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 129 BPM | ||
Concerto a 5 in G Major, Op. 9, No. 6: II. Adagio non troppo | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | E Minor | 2 | 9A | 83 BPM | ||
Concerto for Cello and String Orchestra in G Major, G. 480: III. Allegro | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | F♯ Major | 1 | 2B | 97 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: III. Adagio | Georg Philipp Telemann, Boris Begelman | E♭ Minor | 1 | 2A | 49 BPM | ||
La Lontananza: Aria: Chi Troppo Tempo | Alessandro Marcello, Venice Baroque Orchestra | B Minor | 2 | 10A | 94 BPM | ||
Porpora: Ifigenia in Aulide: Le limpid'onde | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 1 | 12B | 65 BPM |
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