"Swan Lake, Op. 20, Act I No. 2: Valse" by Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias Rouvali was released on September 4, 2020. Since Swan Lake, Op. 20, Act I No. 2: Valse is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #1. In terms of popularity, Swan Lake, Op. 20, Act I No. 2: Valse is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20, Act I No. 2: Valse by Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias Rouvali having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Menuetto. Allegro con moto | Antonín Dvořák, Prague Philharmonia, Jakub Hrůša | A Major | 1 | 11B | 166 BPM | ||
O Magnum Mysterium (Arr. for Violin and Orchestra) | Morten Lauridsen, Anne Akiko Meyers, Kristjan Järvi, Philharmonia Orchestra | D Major | 1 | 10B | 87 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Farewell. Waltz in C Minor, Op. 39, No. 1 | Mykola Lysenko, Andris Nelsons, Wiener Philharmoniker | C Major | 1 | 8B | 178 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
La Wally (1997 Digital Remaster): Ebben?...Ne andrò lontana | Maria Callas, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 71 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Adagio in G Minor | Tomaso Albinoni, City of London Sinfonia, Andrew Watkinson, Ian Watson | C Minor | 1 | 5A | 89 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |
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