"Don Pasquale, Act III: Com'è gentil la notte a mezzo april" by Gaetano Donizetti, Cesare Valletti, Mario Rossi, Orchestra Sinfonica Di Torino Della Rai was released on April 25, 2006. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Valletti: 1949-1952 by Cesare Valletti, Arturo Basile, Gianandrea Gavazzeni, Mario Rossi, Orchestra Sinfonica di Roma della RAI, Orchestra Sinfonica di Milano della RAI, Orchestra Sinfonica Di Torino Della Rai. The song's track number on the album is #12 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Don Pasquale, Act III: Com'è gentil la notte a mezzo april is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Don Pasquale, Act III: Com'è gentil la notte a mezzo april by Gaetano Donizetti, Cesare Valletti, Mario Rossi, Orchestra Sinfonica Di Torino Della Rai has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Don Pasquale, Act III: Com'è gentil la notte a mezzo april being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Le nozze di Figaro, K. 492, Atto II Scena 2: No. 12, Arietta "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Concerto Köln, René Jacobs | B♭ Major | 1 | 6B | 107 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Lucia di Lammermoor: Act I: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | F♯ Major | 1 | 2B | 86 BPM | ||
Canzonetta spagnuola | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 4 | 10B | 103 BPM | ||
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
Morgen!, Op. 27 No. 4 | Richard Strauss, Helmut Deutsch, Jonas Kaufmann | G Major | 0 | 9B | 128 BPM | ||
La fille du régiment / Act 1: La la la ...chacum le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM | ||
Beatrice di Tenda / Act 2: Angiol di pace - Live | Vincenzo Bellini, Luciano Pavarotti, Joan Sutherland, Marilyn Horne, New York City Opera Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 85 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM |
Section: 0.7861001491546631
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