"Grieg: 4 Songs, Op. 21: No. 1, Det første Møde (Orchestral Version)" by Edvard Grieg, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony Orchestra was released on March 1, 2004. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Karita Mattila, Sakari Oramo & City of Birmingham Symphony Orchestra, Sakari Oramo, City Of Birmingham Symphony Orchestra's "Grieg & Sibelius : Orchestral Songs" album is number 12 out of 14. On top of that, France appears to be the country where this track was created. Grieg: 4 Songs, Op. 21: No. 1, Det første Møde (Orchestral Version) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: 4 Songs, Op. 21: No. 1, Det første Møde (Orchestral Version) by Edvard Grieg, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Frühlingsglaube (Arr. Franz Liszt) | Franz Schubert | A♭ Major | 3 | 4B | 64 BPM | ||
Landkjenning | Edvard Grieg, Bjørnstjerne Bjørnson, Luftforsvarets Musikkorps, Christiania Mannskor, Marius Skjølaas | A Major | 5 | 11B | 80 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 110 BPM | ||
Morceaux de Fantaisie, Op. 3: 1. Elégie | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Minor | 1 | 2A | 89 BPM |
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