- BPM
- 79
- Key
- B♭ Minor
- Camelot
- 3A
Seasons in Hell: Act I: Paris 1871 - College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui Information
- Acousticness
- 84%
- Danceability
- 25%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 41%
- Loudness
- 35%
- Speechiness
- 6%
- Valence
- 12%
- Popularity
- 0%
- Loudness
- -38.877 dB
Summary
"Seasons in Hell: Act I: Paris 1871" by College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui was released on October 1, 1997. The duration of Seasons in Hell: Act I: Paris 1871 is about 3 minutes long, at 3:05. Based on our data, "Seasons in Hell: Act I: Paris 1871" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Seasons in Hell". In this album, this song's track order is #7. Seasons in Hell: Act I: Paris 1871 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Seasons in Hell: Act I: Paris 1871 BPM
With Seasons in Hell: Act I: Paris 1871 by College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Seasons in Hell: Act I: Paris 1871 Key
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Keng-ca-fou, Mah-jong (The Chinese Cup, The Tea Pot) | Maurice Ravel, Delphine Galou, Jean-Paul Fouchécourt, Orchestre National De Lyon, Leonard Slatkin | D♭ Minor | 1 | 12A | 130 BPM | |
 | Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | |
 | Wagner: Tannhäuser, Act 1: "Frau Holda kam aus dem Berg hervor" (Hirt) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Dorothea Röschmann, Staatskapelle Berlin | E Minor | 0 | 9A | 103 BPM | |
 | L'Oiseau de feu (1911 Version): XVIII. Réveil de Kastchei - Mort de Kastchei - Profondes tenèbres | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Minor | 1 | 3A | 113 BPM | |
 | Seasons in Hell: Act I: Jadis, si je me souviens bien | Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel | A♭ Minor | 0 | 1A | 85 BPM | |
 | Cello Concerto: II. Allegro appassionato | William Walton, Yo-Yo Ma, André Previn, London Symphony Orchestra | E Minor | 1 | 9A | 140 BPM | |
 | The Paschal Spiral | Hans Zimmer | A Major | 0 | 11B | 140 BPM | |
 | The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks, Bavarian Radio Chorus | E Major | 0 | 12B | 54 BPM | |
 | Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | |
 | War Requiem, Op. 66: xix. Sanctus - Sanctus | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | F♯ Minor | 1 | 11A | 174 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6685590744018555
End: 0.6722664833068848