"Seasons in Hell: Act I: Jadis, si je me souviens bien" by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel was released on October 1, 1997. The duration of Seasons in Hell: Act I: Jadis, si je me souviens bien is about 3 minutes long, at 3:17. Based on our data, "Seasons in Hell: Act I: Jadis, si je me souviens bien" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Seasons in Hell". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Seasons in Hell: Act I: Jadis, si je me souviens bien is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seasons in Hell: Act I: Jadis, si je me souviens bien by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35, TrV 184: Introduction | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 1 | 10B | 92 BPM | ||
2 Practical Cats: No. 2, Growltiger's Last Stand | Humphrey Searle, Patrick Mason, David Starobin, Susan Palma-Nidel, Timothy Eddy | D♭ Major | 1 | 3B | 80 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - The Sacrifice. Introduction. Largo (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | D Minor | 0 | 7A | 60 BPM | ||
Let Me Tell You, Pt. III: I Know You Are There | Hans Abrahamsen, Barbara Hannigan, Andris Nelsons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 69 BPM | ||
Verklärte Nacht, Op. 4: 5. Sehr ruhig (bar 370) | Arnold Schoenberg, Janine Jansen, Boris Brovtsyn, Amihai Grosz, Maxim Rysanov, Torleif Thedéen, Jens-Peter Maintz | D♭ Major | 3 | 3B | 95 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest" | Gustav Mahler, Yvonne Minton, René Kollo, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 128 BPM | ||
Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Allan Clayton | D Major | 2 | 10B | 148 BPM | ||
To the Hands: No. 5. Litany of the Displaced | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | D Minor | 1 | 7A | 92 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Major | 0 | 10B | 77 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM |
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