Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Allan Clayton's 'Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor)' came out on April 19, 2024. The duration of Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 22 in Britten: Spring Symphony, Sinfonia da Requiem, The Young Person's Guide to the Orchestra by Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor) by Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Allan Clayton is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
War Requiem, Op. 66: vii. Dies Irae - Liber scriptus | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | E Major | 0 | 12B | 64 BPM | ||
Brandenburg Concerto No.1 in F, BWV 1046: 4. Menuetto: Trio I | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | F Major | 1 | 7B | 69 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
5 Stücke im Volkston, Op. 102: 2. Langsam | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
La Mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Tom Bowling | Charles Dibdin, Sir Peter Pears, Benjamin Britten | E♭ Major | 1 | 5B | 76 BPM | ||
Norfolk Rhapsody No. 1 in E minor | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | E Minor | 0 | 9A | 80 BPM |
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