Manuel Ponce, Christopher Parkening's 'Preambulo & Allegro Vivo' came out on January 1, 1993. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 42 in Christopher Parkening: The Great Recordings by Christopher Parkening. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Preambulo & Allegro Vivo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Preambulo & Allegro Vivo by Manuel Ponce, Christopher Parkening is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Bocetos: IV. La campana de la tarde. Allegretto | Enrique Granados, Alicia de Larrocha | F Major | 0 | 7B | 129 BPM | ||
Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp) | Lavinia Meijer | D♭ Major | 0 | 3B | 141 BPM | ||
Variations on "Folia de Espana" and Fugue: Var. 16 | Manuel Ponce, Francisco Gil | D Major | 0 | 10B | 78 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
Sonate en ré mineur, K. 1: Allegro | Domenico Scarlatti, Thibault Cauvin | D Minor | 2 | 7A | 183 BPM | ||
Prelude No. 1 in E Minor (Andantino expressivo) | John C. Williams, Heitor Villa-Lobos | E Minor | 1 | 9A | 117 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Suite del Plata, No. 1: Candombe | Maximo Diego Pujol, Victor Villadangos | D Major | 1 | 10B | 180 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Alice Sara Ott | D♭ Minor | 0 | 12A | 168 BPM |
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