"Leoncavallo: Zazà, Act 1: "Vi duole?" (Zaza, Milio)" by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra was released on January 1, 2016. The duration of Leoncavallo: Zazà, Act 1: "Vi duole?" (Zaza, Milio) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Leoncavallo: Zazà, Act 1: "Vi duole?" (Zaza, Milio)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruggero Leoncavallo, Ermonela Jaho, Riccardo Massi, Stephen Gaertner, Patricia Bardon, BBC Symphony Orchestra, Maurizio Benini's "Leoncavallo: Zazà" album is number 19 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Leoncavallo: Zazà, Act 1: "Vi duole?" (Zaza, Milio) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leoncavallo: Zazà, Act 1: "Vi duole?" (Zaza, Milio) by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, James Levine | F Major | 1 | 7B | 93 BPM | ||
Auf dem Wasser zu singen, D. 774 | Franz Schubert, Renée Fleming, Christoph Eschenbach | A♭ Minor | 0 | 1A | 67 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | B♭ Minor | 1 | 3A | 83 BPM | ||
Medley: Mattinata - Wien, Wien, nur du allein - Amapola - 'O sole mio | Ruggero Leoncavallo, Rudolf Sieczynski, Joseph Maria Lacalle, Eduardo di Capua, Alfredo Mazzucchi, José Carreras, Plácido Domingo, Luciano Pavarotti, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | E♭ Major | 4 | 5B | 84 BPM | ||
Torna a Surriento | Ernesto de Curtis, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | E Major | 2 | 12B | 91 BPM | ||
Leoncavallo: I pagliacci, Prologo: "Si può?" (Tonio) | Ruggero Leoncavallo, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Pagliacci / Act 1: "Stridono lassù" | Ruggero Leoncavallo, Teresa Stratas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | F♯ Major | 1 | 2B | 81 BPM |
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