- BPM
- 101
- Key
- B Minor
- Camelot
- 10A
Everyone Sang: No. 4, Everyone Sang - David Conte, Matt Boehler, Kevin Korth Information
- Acousticness
- 98%
- Danceability
- 38%
- Energy
- 27%
- Instrumentalness
- 2%
- Liveness
- 22%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 37%
- Popularity
- 0%
- Loudness
- -17.109 dB
Summary
David Conte, Matt Boehler, Kevin Korth's 'Everyone Sang: No. 4, Everyone Sang' came out on August 17, 2018. The duration of Everyone Sang: No. 4, Everyone Sang is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Everyone Sang: No. 4, Everyone Sang's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 23 in Everyone Sang: Vocal Music of David Conte by David Conte, Various Artists, Marika Kuzma, Nicole Paiement, Eric Dudley. In terms of popularity, Everyone Sang: No. 4, Everyone Sang is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Everyone Sang: No. 4, Everyone Sang BPM
The tempo marking of Everyone Sang: No. 4, Everyone Sang by David Conte, Matt Boehler, Kevin Korth is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Everyone Sang: No. 4, Everyone Sang Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM | |
| Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): V. Quoniam tu solus sanctus | Philip Stopford, Grace Davidson, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | |
 | Considering Matthew Shepard: Passion, 28. The Fence (after)/The Wind | Craig Hella Johnson, Conspirare | D Major | 0 | 10B | 172 BPM | |
 | St. Vedast, Foster Lane: Cambridge Surprise Minor | Traditional, Bell Ringing Teams | G Minor | 3 | 6A | 171 BPM | |
 | Daniel, Daniel, Servant of the Lord | Undine S. Moore, Crepusculum Choir, Claire Joy Moss, Jackie Rae Lankenau, Julian Schoming | G Major | 6 | 9B | 98 BPM | |
 | Serenade of the Celestials | LeoRoads | E Major | 1 | 12B | 117 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5161621570587158
End: 0.519904375076294