"Strauss: Freundliche Vision (Op. 48 No. 1)" by Inger Dam-Jensen, Malcolm Martineau was released on January 1, 2011. The duration of Strauss: Freundliche Vision (Op. 48 No. 1) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Strauss: Freundliche Vision (Op. 48 No. 1)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #77. Strauss: Freundliche Vision (Op. 48 No. 1) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss: Freundliche Vision (Op. 48 No. 1) by Inger Dam-Jensen, Malcolm Martineau having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Schlagt sie tot!, Act I Scene 3: Bester Meister Cranach, Eure Werkstatt ist zwar ein fabelhafter Ort (Live) | Bo Holten, Jakob Högström, Reinhard Hagen, Inger Dam-Jensen, Dietrich Henschel, Malmö Opera Orchestra, Patrik Ringborg | F♯ Minor | 0 | 11A | 85 BPM | ||
Peer Gynt, Op. 23: II. Halling | Edvard Grieg, Orchestre de la Suisse Romande, Guillaume Tourniaire, Le Motet De Genève, Dietrich Henschel, Inger Dam-Jensen, Sophie Koch | B Major | 0 | 1B | 106 BPM | ||
Le Corsaire: Pas de Trois - Adagio | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 95 BPM | ||
Elegie | Jules Massenet, Christian-Pierre La Marca | E Minor | 0 | 9A | 73 BPM | ||
Holger Danske (Ogier the Dane): Act 1, Scene 1: No. 5 | Friedrich Ludwig Aemilius Kunzen, Inga Nielsen, Henriette Bonde-Hansen, Gert Henning-Jensen, Johannes Mannov, Johan Reuter, Inger Dam-Jensen, Guido Paevatalu, Marianne Rorholm, Helle Charlotte Pedersen, Annette L. Simonsen, Helene Gjerris, Danish National Radio Choir, Danish National Radio Symphony Orchestra, Thomas Dausgaard | F Major | 1 | 7B | 116 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 119 BPM | ||
Raymonda, Act III: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 1 | 7A | 103 BPM | ||
Serenade for String Orchestra in E Minor, Op. 20: II. Larghetto | Edward Elgar, Daniel Barenboim | C Major | 0 | 8B | 59 BPM | ||
Music of the Spheres, BVN 128: XIV. The New Day | Rued Langgaard, Inger Dam-Jensen, Danish National Symphony Orchestra, Thomas Dausgaard | B♭ Major | 0 | 6B | 139 BPM |
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