"Serenade for String Orchestra in E Minor, Op. 20: II. Larghetto" by Edward Elgar, Daniel Barenboim was released on 1975. Serenade for String Orchestra in E Minor, Op. 20: II. Larghetto is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. This song is part of Works by Elgar (Remastered) by Edward Elgar, Daniel Barenboim. The song's track number on the album is #5 out of 11 tracks. Serenade for String Orchestra in E Minor, Op. 20: II. Larghetto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Serenade for String Orchestra in E Minor, Op. 20: II. Larghetto by Edward Elgar, Daniel Barenboim has a tempo of 59 beats per a minute, the tempo markings of this song would be Lento (slowly). With Serenade for String Orchestra in E Minor, Op. 20: II. Larghetto being at 59 BPM, the half-time would be 30 BPM with a double-time of 118 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Cello Concerto, Op. 22: II. Andante sostenuto | Samuel Barber, Christian Poltéra, Bergen Philharmonic Orchestra, Andrew Litton | A Major | 0 | 11B | 90 BPM | ||
Beethoven : Symphony No.6 in F major Op.68, 'Pastoral' : V Allegretto | Daniel Barenboim | D♭ Major | 3 | 3B | 99 BPM | ||
The Wand of Youth, Suite No.1 Op.1a: 3. Minuet (Old Style) | Edward Elgar, Orchestra of the Welsh National Opera, Sir Charles Mackerras | E Minor | 0 | 9A | 130 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM |
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