Karl Kohaut, Alberto Crugnola made "Lute Sonata in D Major: I. Adagio" available on March 6, 2012. The duration of Lute Sonata in D Major: I. Adagio is about 3 minutes long, at 3:15. Based on our data, "Lute Sonata in D Major: I. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Alberto Crugnola's "German Lute Music of the 18th Century" album is number 22 out of 95. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Lute Sonata in D Major: I. Adagio is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Lute Sonata in D Major: I. Adagio by Karl Kohaut, Alberto Crugnola to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in A Major, BWV 1025: VI. Menuet | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | A♭ Major | 1 | 4B | 135 BPM | ||
Suite No. 5 in F Major: IV. Sarabande | Charles Dieupart, Marsyas Baroque, Simon Linne | F♯ Major | 4 | 2B | 72 BPM | ||
Sonata a Violoncello Solo G Major: Adagio | Antonio Maria Bononcini, Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés | B Major | 1 | 1B | 121 BPM | ||
Le Rossignol en Amour | François Couperin, Dorothee Oberlinger | D♭ Major | 0 | 3B | 84 BPM | ||
[Suite en la majeur]: X. Fantaisie (No. 27) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 3 | 4B | 73 BPM | ||
Lute Sonata No. 9: II. Alemanda | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 1 | 12A | 92 BPM | ||
Concerti a più istrumenti in G Major, Op. 6 No. 5, II. Aria | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | F♯ Minor | 1 | 11A | 94 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Divertimento primo in B Flat Major: III. Menuet, Trio | Karl Kohaut, Ars Antiqua Austria | A Minor | 2 | 8A | 106 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: II. Fantaisie | Marin Marais, Ensemble Amalia | E♭ Minor | 1 | 2A | 103 BPM |
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