"Der Frühling: "Ewiger, mächtiger, gütiger Gott"" by Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel, RIAS Kammerchor was released on 2004. With this song being about 5 minutes long, at 4:46, "Der Frühling: "Ewiger, mächtiger, gütiger Gott"" by Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel, RIAS Kammerchor is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, René Jacobs, Freiburger Barockorchester's "Haydn: Die Jahreszeiten" album is number 9 out of 44. On top of that, France appears to be the country where this track was created. Der Frühling: "Ewiger, mächtiger, gütiger Gott" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Frühling: "Ewiger, mächtiger, gütiger Gott" by Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel, RIAS Kammerchor to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 2, Air and Chorus. "Now Vanish Before the Holy Beams" (Uriel, Chorus) | Joseph Haydn, Sir Simon Rattle, City of Birmingham Symphony Chorus, Philip Langridge, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Requiem: I. Requiem | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | C Minor | 0 | 5A | 69 BPM | ||
La Clemenza di Tito: Atto primo, scena IV. No. 6 Aria Tito "Del più sublime soglio" | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs, Mark Padmore | G Major | 1 | 9B | 95 BPM | ||
Concerto grosso No. 1 in D Major, Op.6: I. Largo - Allegro | Arcangelo Corelli, Freiburger Barockorchester, Gottfried Von Der Goltz | A Major | 1 | 11B | 79 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
Symphony in B-Flat Major, F. 30: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | F Minor | 1 | 4A | 90 BPM | ||
Paulus: I. Teil: Nr. 1 Chor "Herr, der du bist der Gott" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | D♭ Major | 3 | 3B | 112 BPM | ||
Die Schöpfung, Hob.XXI:2, Part 3: No. 32, Duett "Holde Gattin, dir zur Seite" (Adam, Eva) | Joseph Haydn, Julia Kleiter, Johannes Weisser, René Jacobs, Freiburger Barockorchester | B♭ Major | 4 | 6B | 115 BPM | ||
Concerto VII à 5 en Fa Majeur, Op. 1: I. Allegro | Pietro Locatelli, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Minor | 3 | 2A | 149 BPM | ||
Spängler-Menuett X | Leopold Mozart, Bankhaus Spängler | F Major | 1 | 7B | 131 BPM |
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