Arcangelo Corelli, Freiburger Barockorchester, Gottfried Von Der Goltz made "Concerto grosso No. 1 in D Major, Op.6: I. Largo - Allegro" available on November 2, 2018. The duration of Concerto grosso No. 1 in D Major, Op.6: I. Largo - Allegro is about 3 minutes long, at 3:12. Based on our data, "Concerto grosso No. 1 in D Major, Op.6: I. Largo - Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 30 in Corelli: Concerti Grossi Op. 6 Nos. 1-5 & 7; Sinfonia to Santa Beatrice d'Este by Arcangelo Corelli, Freiburger Barockorchester, Gottfried Von Der Goltz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Concerto grosso No. 1 in D Major, Op.6: I. Largo - Allegro is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Concerto grosso No. 1 in D Major, Op.6: I. Largo - Allegro by Arcangelo Corelli, Freiburger Barockorchester, Gottfried Von Der Goltz is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
Orfeo ed Euridice: Overtura | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | G Major | 2 | 9B | 76 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Fantasy Upon One Note | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Susanna Hefti, Martin Zeller | E Major | 1 | 12B | 133 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: IV. Adagio | Arcangelo Corelli, Enrico Onofri | E Minor | 0 | 9A | 189 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
Section: 0.7265045642852783
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