"The Armed Man - A Mass For Peace: XIII. Better Is Peace" by Karl Jenkins, Mike Brewer, London Philharmonic Orchestra was released on 2001. Since The Armed Man - A Mass For Peace: XIII. Better Is Peace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Armed Man: A Mass For Peace". In this album, this song's track order is #13. The Armed Man - A Mass For Peace: XIII. Better Is Peace is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Armed Man - A Mass For Peace: XIII. Better Is Peace by Karl Jenkins, Mike Brewer, London Philharmonic Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Appalachian Spring: VII. Doppio movimento | Aaron Copland, New York Philharmonic, Leonard Bernstein | C Major | 0 | 8B | 84 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Verleih' uns Frieden, MWV A11 | Felix Mendelssohn, Bavarian Radio Chorus, Munich Radio Orchestra, Howard Arman | E♭ Major | 1 | 5B | 77 BPM | ||
The Lady and the Fool - Suite: VI. Pas de deux | Giuseppe Verdi, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 0 | 7B | 81 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 0 | 9B | 160 BPM | ||
Requiem: XI. Lux Aeterna | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel | D Minor | 1 | 7A | 120 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: X. Nce sta quaccuna po' (Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness | G Minor | 0 | 6A | 140 BPM |
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