Robert Schumann, Andrés Segovia made "Lieder-Album fur die Jugend, Op. 79, No. 4. Fruhlingsgruss: Lieder-Album fur die Jugend, Op. 79: No. 4, Fruhlingsgruss (Arr. A. Segovia)" available on June 24, 2008. The duration of Lieder-Album fur die Jugend, Op. 79, No. 4. Fruhlingsgruss: Lieder-Album fur die Jugend, Op. 79: No. 4, Fruhlingsgruss (Arr. A. Segovia) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Lieder-Album fur die Jugend, Op. 79, No. 4. Fruhlingsgruss: Lieder-Album fur die Jugend, Op. 79: No. 4, Fruhlingsgruss (Arr. A. Segovia)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Segovia, Andres: 1950S American Recordings, Vol. 6". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Lieder-Album fur die Jugend, Op. 79, No. 4. Fruhlingsgruss: Lieder-Album fur die Jugend, Op. 79: No. 4, Fruhlingsgruss (Arr. A. Segovia) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Lieder-Album fur die Jugend, Op. 79, No. 4. Fruhlingsgruss: Lieder-Album fur die Jugend, Op. 79: No. 4, Fruhlingsgruss (Arr. A. Segovia) by Robert Schumann, Andrés Segovia having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kitsch-Musik: III. Allegretto | Valentin Silvestrov, Elisaveta Blumina | E♭ Major | 0 | 5B | 65 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 4 in D Major | Sergei Rachmaninoff, Nikolai Lugansky | D Major | 0 | 10B | 78 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM | ||
Piano Quartet in E flat, Op.47: 3. Andante cantabile | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 0 | 6B | 67 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM |
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