"L'Arlésienne Suite No. 2: I. Pastorale" by Ernest Guiraud, Georges Bizet, L'Orchestre de la Suisse Romande, Kazuki Yamada was released on November 19, 2013. L'Arlésienne Suite No. 2: I. Pastorale is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 5 out of 19 in Bizet: L'Arlesienne Suite Nos. 1 & 2 - Fauré: Masques et bergamasques Suite - Gounod: Faust by L'Orchestre de la Suisse Romande, Kazuki Yamada. In terms of popularity, L'Arlésienne Suite No. 2: I. Pastorale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlésienne Suite No. 2: I. Pastorale by Ernest Guiraud, Georges Bizet, L'Orchestre de la Suisse Romande, Kazuki Yamada is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amour... amour... (Version for Orchestra) | Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | G Major | 1 | 9B | 99 BPM | ||
La Tempestad, Acto II: Llegad, Llegad, Venid, Venid (Introducción y Coro) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Gregorio Gil, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | G Major | 2 | 9B | 104 BPM | ||
Symphony No. 3 in C Minor, Op. 78, "Organ": Finale | Camille Saint-Saëns, Alfred Scholz, London Festival Orchestra | C Major | 5 | 8B | 118 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
Oboe Concerto in D Major, TrV 292: II. Andante | Richard Strauss, Copenhagen Philharmonic Orchestra, Toshiyuki Kamioka | B♭ Major | 0 | 6B | 68 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
An der schönen blauen Donau, Waltz, Op. 314 - Remastered 2024 | Johann Strauss II, National Symphony Orchestra, Josef Krips | D Major | 1 | 10B | 100 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
Symphony No. 2 in C minor, Op. 29: V. Maestoso | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | C Major | 3 | 8B | 78 BPM |
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