"La Tempestad, Acto II: Llegad, Llegad, Venid, Venid (Introducción y Coro) - Remastered" by Ruperto Chapí, Miguel Ramos Carrión, Gregorio Gil, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid was released on January 15, 1954. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ruperto Chapí, Miguel Ramos Carrión, Various Artists, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid's "La Zarzuela: La Tempestad" album is number 1 out of 19. In terms of popularity, La Tempestad, Acto II: Llegad, Llegad, Venid, Venid (Introducción y Coro) - Remastered is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Tempestad, Acto II: Llegad, Llegad, Venid, Venid (Introducción y Coro) - Remastered by Ruperto Chapí, Miguel Ramos Carrión, Gregorio Gil, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles: De mon amie, fleur endormie (Nadir, Leïla) | Georges Bizet, Janine Micheau/Nicolai Gedda/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Minor | 0 | 7A | 76 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Ô malheureuse Iphigénie !" (Iphigénie, Chœur) | Christoph Willibald Gluck, Georges Prêtre, Choeur René Duclos, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
La Rosa del Azafrán: Pasacalle de la Escalera:" Dos por Dos Son Cuatro" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Il Pirata, Act I: Sì vincemmo | Vincenzo Bellini, Felice Romani, Franco Vassallo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
El Último Romántico: "Bella Enamorada" | Gran Orquesta Sinfonica | E Major | 1 | 12B | 91 BPM | ||
El Amigo Melquiades: "Final por la Orquesta" - Remastered | Jose Serrano, Joaquín Valverde, Carlos Arniches, Orquesta Sinfonica, Indalecio Cisneros | F Major | 5 | 7B | 90 BPM | ||
El Año Pasado por Agua (Oiga Usté Caballero) | Ruperto Chapí, Ricardo De La Vega, María José Montiel | F♯ Major | 0 | 2B | 80 BPM | ||
La canción del olvido: Serenata soldado de Nápoles | Pablo Sorozábal | C Major | 4 | 8B | 117 BPM | ||
Bizet: Carmen, WD 31, Act 1: "Avec la garde montante" (Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Minor | 1 | 7A | 118 BPM |
Section: 0.5956001281738281
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