"King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 6. When priests a" by City Of Birmingham Symphony Orchestra, Sir Mark Elder was released on June 28, 2005. The duration of King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 6. When priests a is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 6. When priests a's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #37. In terms of popularity, King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 6. When priests a is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 6. When priests a by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Gershwin: Rhapsody in Blue (Excerpt, Opening) | George Gershwin, Sir Simon Rattle, Wayne Marshall, City Of Birmingham Symphony Orchestra | C Major | 2 | 8B | 82 BPM | ||
Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | ||
Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Requiem, Op. 63: IVj. Inter oves locum praesta | Charles Villiers Stanford, Carolyn Sampson, Ross Ramgobin, Marta Fontanals-Simmons, James Way, City Of Birmingham Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 74 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Fantasia on a Theme by Thomas Tallis: III. Tempo del principo | Ralph Vaughan Williams, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | C Minor | 0 | 5A | 85 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM |
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