Johann Sebastian Bach, Susan Hamilton, Hilary Summers, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner made "Nur jedem das Seine, BWV 163: Aria: Lass mein Herz die Munze sein (Bass)" available on October 26, 2010. The duration of Nur jedem das Seine, BWV 163: Aria: Lass mein Herz die Munze sein (Bass) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Nur jedem das Seine, BWV 163: Aria: Lass mein Herz die Munze sein (Bass)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 47 in Bach: Cantatas, Vol. 12 by Johann Sebastian Bach, John Eliot Gardiner. Nur jedem das Seine, BWV 163: Aria: Lass mein Herz die Munze sein (Bass) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Nur jedem das Seine, BWV 163: Aria: Lass mein Herz die Munze sein (Bass) by Johann Sebastian Bach, Susan Hamilton, Hilary Summers, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude | Anonymous , Johann Sebastian Bach, Daxun Zhang | B Minor | 1 | 10A | 135 BPM |
Section: 0.6500582695007324
End: 0.6554396152496338