"Ellens Gesang III (Ave Maria!), Op. 52, No. 6, D. 839, "Hymne an die Jungfrau" (arr. E. Becht): Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne an die Jungfrau" (Fantasia)" by Franz Schubert, Erich Becht, Jana Valášková, Slovak Radio Symphony Orchestra, Johannes Wildner was released on January 1, 1997. Ellens Gesang III (Ave Maria!), Op. 52, No. 6, D. 839, "Hymne an die Jungfrau" (arr. E. Becht): Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne an die Jungfrau" (Fantasia) is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The track order of this song in Various Artists, Stephen Gunzenhauser, John Georgiadis, István Párkányi, Peter Breiner, Oliver von Dohnanyi, Jozef Kopelman, Richard Edlinger, Johannes Wildner, Ondrej Lenard, Jaroslav Krcek, András Ligeti, Barry Wordsworth, Kenneth Jean, Robert Stankovsky, Antoni Wit, Alfred Walter, Gerhard Markson, Adrian Leaper, Anthony Bramall, Keith Clark's "Lugna blå timmar – Harmonisk klassisk musik" album is number 8 out of 43. On top of that, Hong Kong appears to be the country where this track was created. Ellens Gesang III (Ave Maria!), Op. 52, No. 6, D. 839, "Hymne an die Jungfrau" (arr. E. Becht): Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne an die Jungfrau" (Fantasia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ellens Gesang III (Ave Maria!), Op. 52, No. 6, D. 839, "Hymne an die Jungfrau" (arr. E. Becht): Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne an die Jungfrau" (Fantasia) by Franz Schubert, Erich Becht, Jana Valášková, Slovak Radio Symphony Orchestra, Johannes Wildner to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mussorgsky: Pictures at an Exhibition: II. The Old Castle | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM | ||
Capriccio in B Minor, Op. 76, No. 2 | Johannes Brahms, Arcadi Volodos | B Major | 1 | 1B | 84 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
20 Waltzes, Op. 127, D.146: No. 12 in G Minor - No. 14 in G Major | Franz Schubert, Pierre-Laurent Aimard | D Major | 1 | 10B | 128 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM |
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