"Missa brevis, Op. 64: V. Agnus Dei" by William Mathias, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens was released on May 1, 2009. With this song being about 5 minutes long, at 4:44, "Missa brevis, Op. 64: V. Agnus Dei" by William Mathias, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of William Mathias: Missa brevis & Other Choral Music by William Mathias, Wells Cathedral Choir, Matthew Owens. The song's track number on the album is #11 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Missa brevis, Op. 64: V. Agnus Dei is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Missa brevis, Op. 64: V. Agnus Dei by William Mathias, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Missa brevis, Op. 64: V. Agnus Dei being at 169 BPM, the half-time would be 84 BPM with a double-time of 338 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
A Babe Is Born, Op. 55 | William Mathias, Anonymous, Hugh Crook, St. John's Voices, Graham Walker | C Major | 2 | 8B | 124 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VIII. Agnus Dei | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
The Armed Man (Ensemble Version): XIII. Better is Peace | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Alleluia: III. Night | Valentin Silvestrov, Karlis Rutentals, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 72 BPM | ||
Postlude | William Mathias, Richard Lea | D Major | 0 | 10B | 59 BPM | ||
Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | ||
Justorum Animae | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 0 | 9B | 145 BPM |
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