"Titi Polka, Op. 15" by Josef Strauss, Slovak Radio Symphony Orchestra was released on January 16, 1997. The duration of Titi Polka, Op. 15 is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Titi Polka, Op. 15's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Josef Strauss's "Josef Strauss: Edition - Vol. 4" album is number 8 out of 12. On top of that, Hong Kong appears to be the country where this track was created. Titi Polka, Op. 15 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Titi Polka, Op. 15 by Josef Strauss, Slovak Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Song Without Words | Eric Hammerstein, London Promenade Orchestra | F Major | 3 | 7B | 81 BPM | ||
Piano Quartet No. 1 in G Minor, Op. 25 (Orch. By A. Schoenberg): IV. Rondo alla zingarese - Presto | Johannes Brahms, Marc Albrecht, Netherlands Philharmonic Orchestra | B♭ Major | 0 | 6B | 79 BPM | ||
Für die ganze Welt, Walzer | Joseph Hellmesberger, Jr., Christian Thielemann, Wiener Philharmoniker | D Major | 4 | 10B | 85 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 11 (orch. Parlow) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | A Minor | 1 | 8A | 77 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Sinfonía Fantástica, Op. 14: No. 2, Un bal (Un baile) | Orquesta Sinfónica De Munich, Wilhen Hertz | A Major | 3 | 11B | 94 BPM | ||
Marien-Klange, Waltzer, Op. 214 | Josef Strauss, Budapest Strauss Symphony Orchestra, Alfred Walter | A Major | 1 | 11B | 100 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM |
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