Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Santiago S. Jericho's 'Doña Francisquita: Canción del Ruiseñor' came out on January 1, 1996. Doña Francisquita: Canción del Ruiseñor is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. This song is part of Viva la Zarzuela ! by Maria Bayo. The song's track number on the album is #3 out of 17 tracks. Doña Francisquita: Canción del Ruiseñor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Doña Francisquita: Canción del Ruiseñor by Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Santiago S. Jericho has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Doña Francisquita: Canción del Ruiseñor being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Los Cadetes de la Reina: Es el Pecado Más Horrible… Mariposa Es la Reina Gentil (Septimino) - Remastered | Julián Moyrón, Pablo Luna, Marcos Redondo | E♭ Major | 4 | 5B | 110 BPM | ||
Norma, Act II: Mira, O Norma (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 4 | 6B | 121 BPM | ||
Towards Victory | Fyodor Biryuchev | A Minor | 4 | 8A | 118 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Bohemios: "Parte I": Preludio | Amadeo Vives, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 69 BPM | ||
Danza del Sable | Grupo de Cantores y Danzas del Ural Balalaikas de Ossipov, Vitali Gnoutov | D Major | 7 | 10B | 96 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Gounod : Faust : Act 1 "De l'enfer qui vient émousser" [Siébel, Valentin, Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | B♭ Major | 2 | 6B | 80 BPM | ||
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM |
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