"Duparc: Phidylé" by Henri Duparc, Elsa Dreisig was released on January 17, 2020. Duparc: Phidylé is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Elsa Dreisig, Jonathan Ware's "Morgen" album is number 5 out of 21. The popularity of Duparc: Phidylé is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Duparc: Phidylé by Henri Duparc, Elsa Dreisig to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haugtussa, Op. 67: VIII. Ved gjaetle-bekken | Charlotte Hoather, George Todica | B Minor | 2 | 10A | 132 BPM | ||
Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz | Gustav Mahler, Dietrich Fischer-Dieskau, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A Minor | 1 | 8A | 87 BPM | ||
Clair de lune | Camille Saint-Saëns, Anne Sofie von Otter, Bengt Forsberg | D Major | 1 | 10B | 77 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Der kleine Taumann heiss ich" [The Dew Fairy] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 92 BPM | ||
Kindertotenlieder: No. 2, Nun seh' ich wohl, warum so dunkle Flammen | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | D Minor | 2 | 7A | 77 BPM | ||
Kindertotenlieder: No. 4, Oft denk' ich, sie sind nur ausgegangen | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | B♭ Minor | 2 | 3A | 121 BPM | ||
Träumen, Op. 7 | Willy Heinz Müller, Rainer Maria Rilke, Mélanie Adami, Judit Polgar | B Minor | 2 | 10A | 88 BPM | ||
Serse, HWV 40, Act I Scene 1: Aria. Ombra mai fu, "Largo" (Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | F Major | 1 | 7B | 163 BPM | ||
5 Gesänge, Op. 71: III. Geheimnis | Johannes Brahms, Elina Garanca, Malcolm Martineau | E♭ Major | 1 | 5B | 89 BPM | ||
Sogno D'or | Giacomo Puccini, Cheri Rose Katz, Alan Mallach | A Major | 2 | 11B | 153 BPM |
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