Domenico Cimarosa, Theresia Orchestra, Alessandro De Marchi, Rocco Cavalluzzi, Eleonora Bellocci, Matteo Loi made "Le astuzie femminili: VIII. 8. Recitativo dopo Aria Filandro: Se lo spezial mi scopre" available on March 15, 2024. The duration of Le astuzie femminili: VIII. 8. Recitativo dopo Aria Filandro: Se lo spezial mi scopre is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Le astuzie femminili: VIII. 8. Recitativo dopo Aria Filandro: Se lo spezial mi scopre's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 39 in Domenico Cimarosa: Le Astuzie Femminili by Domenico Cimarosa, Theresia Orchestra, Alessandro De Marchi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Le astuzie femminili: VIII. 8. Recitativo dopo Aria Filandro: Se lo spezial mi scopre is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Le astuzie femminili: VIII. 8. Recitativo dopo Aria Filandro: Se lo spezial mi scopre by Domenico Cimarosa, Theresia Orchestra, Alessandro De Marchi, Rocco Cavalluzzi, Eleonora Bellocci, Matteo Loi is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
Keyboard Sonata C. 55 in A minor | Domenico Cimarosa, Stefano Bigoni | C Major | 1 | 8B | 147 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Il matrimonio segreto / Act 1: "Lasciatemi, signore, non state a infastidirmi" - "No, indegno, traditore" | Domenico Cimarosa, Arleen Auger, Alberto Rinaldi, Julia Varady, Julia Hamari, English Chamber Orchestra, Daniel Barenboim | B♭ Major | 2 | 6B | 77 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
Adagio in G Minor (Arr. for Harp and Orchestra) | Tomaso Albinoni, Remo Giazotto, Stefan Klieme, Xavier De Maistre, L'Arte del mondo | C Minor | 1 | 5A | 175 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM |
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