"Gounod: Faust, CG 4, Act 2 Scene 5: No. 9, Valse et Choeur, (b) "Ne permettrez-vous pas ma belle demoiselle" (Faust, Marguerite, Siebel, Méphistophélès, Choeur)" by Charles Gounod, Nicolai Gedda/Victoria de los Angeles/Liliane Berton/Boris Christoff/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/André Cluytens, André Cluytens, Orchestre du Théâtre National de l'Opéra Paris was released on 2003. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Gounod, André Cluytens's "Gounod: Faust" album is number 18 out of 62. On top of that, United Kingdom appears to be the country where this track was created. Gounod: Faust, CG 4, Act 2 Scene 5: No. 9, Valse et Choeur, (b) "Ne permettrez-vous pas ma belle demoiselle" (Faust, Marguerite, Siebel, Méphistophélès, Choeur) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod: Faust, CG 4, Act 2 Scene 5: No. 9, Valse et Choeur, (b) "Ne permettrez-vous pas ma belle demoiselle" (Faust, Marguerite, Siebel, Méphistophélès, Choeur) by Charles Gounod, Nicolai Gedda/Victoria de los Angeles/Liliane Berton/Boris Christoff/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/André Cluytens, André Cluytens, Orchestre du Théâtre National de l'Opéra Paris to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Mandolin Concerto in C Major, RV 425: III. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 4 | 8B | 148 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Ave Maria | Johann Sebastian Bach, Charles Gounod, Judy Loman, Nora Shulman | C Major | 1 | 8B | 112 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM |
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