- BPM
- 79
- Key
- D♭ Major
- Camelot
- 3B
Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da - Johann Strauss II, Nicolai Lugowoi, Ivan Rebroff, Bernd Weikl, Hermann Prey, Benno Kusche, Evi List, Julia Varady Information
- Acousticness
- 82%
- Danceability
- 40%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 65%
- Loudness
- 49%
- Speechiness
- 90%
- Valence
- 28%
- Popularity
- 17%
- Loudness
- -30.57 dB
Summary
Johann Strauss II, Nicolai Lugowoi, Ivan Rebroff, Bernd Weikl, Hermann Prey, Benno Kusche, Evi List, Julia Varady's 'Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da' came out on January 1, 1976. The duration of Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da is about 3 minutes long, at 3:04. Based on our data, "Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da BPM
With Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da by Johann Strauss II, Nicolai Lugowoi, Ivan Rebroff, Bernd Weikl, Hermann Prey, Benno Kusche, Evi List, Julia Varady having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da Key
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Zauberflöte, K.620 / Zweiter Aufzug: "O Isis und Osiris" | Wolfgang Amadeus Mozart, René Pape, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | F Major | 0 | 7B | 136 BPM | |
 | Die Fledermaus / Act 2: Nr.11 Finale: "Im Feuerstrom der Reben" | Johann Strauss II, Ivan Rebroff, Lucia Popp, Hermann Prey, Julia Varady, Benno Kusche, Bernd Weikl, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart | F Major | 2 | 7B | 69 BPM | |
 | Die Walküre, WWV 86B / Act I: "O süsseste Wonne! Seligstes Weib!" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 109 BPM | |
 | Die Zauberflöte, K.620, Act II: Nicht wahr, Tamino, ich kann auch schweigen (Papageno) | Wolfgang Amadeus Mozart, Wolfgang Brendel/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | C Minor | 0 | 5A | 83 BPM | |
 | Verdi: Aida, Act 2: "O Re, pei sacri numi" (Radamès, Il Re, Amneris, Sacerdoti, Popolo, Ramfis) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F♯ Major | 2 | 2B | 87 BPM | |
 | Der Rosenkavalier, Op. 59, TrV 227, Act I: Act I: Quinquin, es ist mein Mann! (Marschallin, Octavian, Marschallin's Majordomo, Baron) | Richard Strauss, Gerhard Unger, Lucia Popp, Chor der Bayerischen Staatsoper, Benno Kusche, Hans Wilbrink, David Thaw, Georg Paskuda, Annelie Waas, Claire Watson, Brigitte Fassbaender, Bavarian State Orchestra, Lorenz Fehenberger, Margarethe Bence, Karl Ridderbusch, Franz Klarwein, Albrecht Peter, Carlos Kleiber | E Minor | 3 | 9A | 85 BPM | |
 | Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" | Carl Orff, June Anderson, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus, Glen Ellyn Children's Chorus | D Minor | 2 | 7A | 135 BPM | |
 | Rusalka, Op. 114 / Act 2: Jarku, jarku, klouce milé | Antonín Dvořák, Ivan Kusnjer, Zdena Kloubová, Czech Philharmonic Orchestra, Sir Charles Mackerras | B♭ Major | 6 | 6B | 100 BPM | |
 | Die Fledermaus: Act I, "Täubchen, Das Entflattert Ist" | Johann Strauss II, Hilde Gueden, Julius Patzak, Wilma Lipp, Alfred Poell, Kurt Preger, Sieglinde Wagner, August Jaresch, Vienna State Opera Chorus, Clemens Krauss, Wiener Philharmoniker | C Major | 4 | 8B | 80 BPM | |
| Der Rosenkavalier, Op. 59, TrV 227, Act III: Act III: Mein Gott! Es war nicht mehr als eine Farce! (Sophie, Octavian, Marschallin) | Richard Strauss, Lorenz Fehenberger, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Gerhard Unger, Claire Watson, Lucia Popp, Brigitte Fassbaender, Benno Kusche, Karl Ridderbusch, David Thaw, Albrecht Peter, Annelie Waas, Margarethe Bence, Georg Paskuda, Franz Klarwein, Hans Wilbrink, Carlos Kleiber | C Major | 2 | 8B | 81 BPM |
- ISRC
- DEF057530630
- Label
- L-M Records/RCA Records
Section: 0.7158985137939453
End: 0.7206523418426514