Johann Strauss II, Hilde Gueden, Julius Patzak, Wilma Lipp, Alfred Poell, Kurt Preger, Sieglinde Wagner, August Jaresch, Vienna State Opera Chorus, Clemens Krauss, Wiener Philharmoniker's 'Die Fledermaus: Act I, "Täubchen, Das Entflattert Ist"' came out on January 1, 2001. The duration of Die Fledermaus: Act I, "Täubchen, Das Entflattert Ist" is about 3 minutes long, at 3:27. Based on our data, "Die Fledermaus: Act I, "Täubchen, Das Entflattert Ist"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Strauss II, Hilde Gueden, Julius Patzak, Wilma Lipp, Alfred Poell, Kurt Preger, Sieglinde Wagner, August Jaresch, Vienna State Opera Chorus, Clemens Krauss, Wiener Philharmoniker's "Johann Strauss II: Die Fledermaus" album is number 2 out of 45. On top of that, United Kingdom appears to be the country where this track was created. Die Fledermaus: Act I, "Täubchen, Das Entflattert Ist" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Fledermaus: Act I, "Täubchen, Das Entflattert Ist" by Johann Strauss II, Hilde Gueden, Julius Patzak, Wilma Lipp, Alfred Poell, Kurt Preger, Sieglinde Wagner, August Jaresch, Vienna State Opera Chorus, Clemens Krauss, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lagunen Waltz, Op. 411 | Johann Strauss II, Polish State Philharmonic Orchestra, Katowice, Johannes Wildner | D Major | 2 | 10B | 99 BPM | ||
Sibelius: Karelia Suite, Op. 11: III. Alla marcia | Jean Sibelius, Sir John Barbirolli, Hallé | A Major | 3 | 11B | 83 BPM | ||
Fruhlingsstimmen (Voices Of Spring), Op. 410 | Strauss Festival Orchestra, Johann Strauss II | B♭ Major | 1 | 6B | 99 BPM | ||
Marche militaire, Op. 51, No. 1 | Franz Schubert, Louis Lane, The Cleveland Pops Orchestra | D Major | 1 | 10B | 116 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Friska from Hungarian Rhapsody No. 2 | Franz Liszt, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM |
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