"Requiem (Missa pro defunctis) a 2-4: Graduale: Si ambulem" by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier was released on 1985. With this song being about 5 minutes long, at 5:23, "Requiem (Missa pro defunctis) a 2-4: Graduale: Si ambulem" by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Ockeghem - Requiem (Missa Pro Defunctis) & Missa Mi Mi (Missa Quarti Toni)". In this album, this song's track order is #3. Based on our statistics, Requiem (Missa pro defunctis) a 2-4: Graduale: Si ambulem's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem (Missa pro defunctis) a 2-4: Graduale: Si ambulem by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veni Sancte Spiritus et emitte/Veni Sancte Spiritus et infunde/Veni Creator Spiritus mentes tu - 1987 Remastered Version | John Dunstable, The Hilliard Ensemble, Paul Hillier | E Major | 1 | 12B | 77 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
Alonso: La Tricotea, a 3 (No. 185 from "Cancionero de Palacio"): "La tricotea San martin la vea" | Francisco Alonso, The Hilliard Ensemble, Paul Hillier | G Minor | 3 | 6A | 136 BPM | ||
Introitus: Gaudeamus omnes in domino | Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard | E Major | 1 | 12B | 73 BPM | ||
Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VII. Lord Have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
De ma dame vient | Adam de la Halle, Martyn Hill, Paul Elliott, Early Music Consort Of London, David Munrow | C Major | 2 | 8B | 82 BPM | ||
Ordo Virtutum, Szene III: "O Deus, quis es tu - O pater omnipotens" | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | A Minor | 0 | 8A | 75 BPM | ||
the little match girl passion: come, daughter | David Lang, Theatre Of Voices, Paul Hillier | D♭ Major | 1 | 3B | 72 BPM |
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