Wolfgang Amadeus Mozart, Celia Nicklin, Timothy Brown, Academy of St. Martin in the Fields, Sir Neville Marriner made "Cassation in D, K.100: 4. Allegro" available on April 1, 1990. The duration of Cassation in D, K.100: 4. Allegro is about 3 minutes long, at 3:05. Based on our data, "Cassation in D, K.100: 4. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields's "Mozart: Serenades K. 100 & 185 & Marches" album is number 13 out of 17. Based on our statistics, Cassation in D, K.100: 4. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cassation in D, K.100: 4. Allegro by Wolfgang Amadeus Mozart, Celia Nicklin, Timothy Brown, Academy of St. Martin in the Fields, Sir Neville Marriner to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in F Major, Op. 6, No. 9, HWV 327: III. Larghetto | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D Minor | 0 | 7A | 133 BPM | ||
Mozart: Sinfonia concertante in E-Flat Major, K. 297b: III. Andantino con variazioni. Var. VI | Wolfgang Amadeus Mozart, Emmanuel Pahud, François Leleux, Gilbert Audin, Radovan Vlatkovic, Orchestre de chambre de Paris | C Major | 0 | 8B | 0 BPM | ||
String Quartet No.6 in B flat, KV.159 I.Andante | Gunther Hasselmann | B♭ Major | 0 | 6B | 91 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Quartet in E-Flat Major, Op. 6 No. 3 for 2 violins, viola & violoncello: III. Allegro con brio | Luigi Boccherini, Nuovo Quartetto | D Major | 1 | 10B | 134 BPM | ||
6 Violin Sonatas, Op. 10b No. 6 in C Major, J. 104: I. Allegro con fuoco | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | C Major | 1 | 8B | 74 BPM | ||
Symphony in E-Flat Major, Op. 3, No. 3, W. C3: III. Allegro | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | E♭ Major | 1 | 5B | 106 BPM | ||
Symphony No. 35 in D Major, K. 385 "Haffner": II. Andante | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | D Major | 1 | 10B | 96 BPM | ||
Sinfonia in A Major: II. Andante | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 94 BPM | ||
Sinfonia concertante in E-Flat Major, K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Jiri Krejci, Vaclav Kyzivat, Zdeněk Tylšar, Jiri Seidl, Capella Istropolitana, Richard Edlinger | E♭ Major | 0 | 5B | 129 BPM |
Section: 0.6211721897125244
End: 0.6254088878631592