Johann Sebastian Bach, Christiane Oelze, Birgit Remmert, Bach-Collegium Stuttgart, Helmuth Rilling's 'Tilge, Hochster, meine Sunden, BWV 1083: Dich erzurnt mein Tun und Lassen (Alto)' came out on January 1, 2000. The duration of Tilge, Hochster, meine Sunden, BWV 1083: Dich erzurnt mein Tun und Lassen (Alto) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Tilge, Hochster, meine Sunden, BWV 1083: Dich erzurnt mein Tun und Lassen (Alto)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 28 in Bach, J.S.: Magnificat in D Major, Bwv 243 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Tilge, Hochster, meine Sunden, BWV 1083: Dich erzurnt mein Tun und Lassen (Alto) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tilge, Hochster, meine Sunden, BWV 1083: Dich erzurnt mein Tun und Lassen (Alto) by Johann Sebastian Bach, Christiane Oelze, Birgit Remmert, Bach-Collegium Stuttgart, Helmuth Rilling is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. — | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | A Major | 2 | 11B | 100 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Violin Concerto in D Major, RV 228: I. Allegro non troppo ma vigoroso | Antonio Vivaldi, Marco Fornaciari, Accademia I Filarmonici, Alberto Martini | D Major | 2 | 10B | 123 BPM | ||
La villageoise | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 152 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' | Nora Mercz, Frédéric Chopin, Janos Balint | E Major | 0 | 12B | 73 BPM | ||
Sonata No. 16 in B Flat Major, II. Adagio | Maria João Pires | E♭ Major | 0 | 5B | 96 BPM | ||
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 125 BPM | ||
Johannes-Passion, BWV 245.1: 21. Recitativo: Und die Kriegsknechte flochten eine Krone | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM |
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