Adolphe Adam, Alessio De Franzoni made "Adagio - from the ballet "Le Corsaire"" available on August 19, 2019. The duration of Adagio - from the ballet "Le Corsaire" is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Adagio - from the ballet "Le Corsaire"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Piano Music for the Ballet Lesson 7: Ballet's Music selection for Pointes and Repertoire". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Italy. Based on our statistics, Adagio - from the ballet "Le Corsaire"'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Adagio - from the ballet "Le Corsaire" by Adolphe Adam, Alessio De Franzoni having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Act III: Pas De Deux (Kitri & Basil) (Minkus) | Mariinsky Orchestra | C Major | 2 | 8B | 182 BPM | ||
Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings Upon Arrival in the Country: Allegro ma non troppo | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | C Major | 0 | 8B | 115 BPM | ||
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Allegretto: Adagio | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 133 BPM |
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