- BPM
- 67
- Key
- C Major
- Camelot
- 8B
Havanaise - Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung Information
- Acousticness
- 98%
- Danceability
- 42%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 61%
- Speechiness
- 9%
- Valence
- 15%
- Popularity
- 0%
- Loudness
- -23.648 dB
Summary
"Havanaise" by Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung was released on May 18, 2021. With this song being about 5 minutes long, at 4:44, "Havanaise" by Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 50 out of 85 in Clara Schumann & Great Female Composers by Clara Schumann, Cécile Chaminade, Grażyna Bacewicz. Havanaise is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Havanaise BPM
The tempo marking of Havanaise by Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Havanaise Key
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Duo à la hongroise | Pauline Viardot, Traditional, Francisco Soriano, Natalia Labourdette, Helena Ressurreição | D♭ Major | 1 | 3B | 88 BPM | |
 | Viardot: Cendrillon, Act 2: "C'est moi, ne craignez rien" (Cendrillon, Prince) | Pauline Viardot, Jean-Luc Viala, Nicholas Kok, Sandrine Piau | G Major | 1 | 9B | 83 BPM | |
 | Haugtussa - Song Cycle, Op. 67: Ved gjaetle - bekken | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | E Major | 1 | 12B | 78 BPM | |
 | 7 Canciones populares españolas: No. 3, Asturiana (Orch. Halffter) | Manuel de Falla, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A♭ Major | 0 | 4B | 81 BPM | |
 | Myrthen, Op. 25: No. 7. Die Lotosblume | Robert Schumann, Margaret Price, James Lockhart | D Major | 1 | 10B | 93 BPM | |
 | Brahm's Lullaby | Johannes Brahms, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | |
 | Quand je fus pris au pavillon | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 1 | 2B | 124 BPM | |
 | Mai | Reynaldo Hahn, Susan Graham | F♯ Major | 1 | 2B | 68 BPM | |
 | Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM | |
 | Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): III. Beim Schlafengehen | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | D Major | 1 | 10B | 90 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5938498973846436
End: 0.5971343517303467