John Woolrich, James Gilchrist, Nathan Williamson's 'The Unlit Suburbs: No. 1, The Submerged Bar' came out on January 21, 2022. With The Unlit Suburbs: No. 1, The Submerged Bar being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "One Hundred Years of British Song, Vol. 3". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Unlit Suburbs: No. 1, The Submerged Bar's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Unlit Suburbs: No. 1, The Submerged Bar by John Woolrich, James Gilchrist, Nathan Williamson having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nana | Manuel de Falla Matheu, Kim Kashkashian, Robert Levin | A Minor | 0 | 8A | 93 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | F♯ Minor | 1 | 11A | 95 BPM | ||
Nightingales Sing In Berkeley Square | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
String Quartet No. 1: I. Presto con fuoco | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM | ||
Bright Horizon | Miljan Minic, Chords And Hearts | C Minor | 0 | 5A | 74 BPM | ||
Symphonic Suite "White Night": I. White Night | Heino Eller, Estonian National Symphony Orchestra, Olari Elts | F♯ Minor | 0 | 11A | 108 BPM | ||
Lux Aeterna: IV. Allegro Presto Andantino | Rihards Dubra, Saxtett | C Major | 1 | 8B | 133 BPM | ||
A Book of Studies for Wind Quintet, Set 3: No. 5 | John Woolrich, New London Chamber Ensemble | C Minor | 0 | 5A | 71 BPM | ||
Duo concertant, K54: V. Dithyrambe | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM |
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