Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra's 'Symphony No. 5 in E Minor, Op. 64, TH 29: III. Allegro moderato' came out on October 1, 1984. With this song being about 5 minutes long, at 5:26, "Symphony No. 5 in E Minor, Op. 64, TH 29: III. Allegro moderato" by Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 4 in the song's album "Tchaikovsky: Symphony No. 5". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Symphony No. 5 in E Minor, Op. 64, TH 29: III. Allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 5 in E Minor, Op. 64, TH 29: III. Allegro moderato by Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Bergen Philharmonic Orchestra, Andrew Litton | D Minor | 2 | 7A | 97 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Valéry Gergiev, Mariinsky Orchestra | A♭ Major | 3 | 4B | 128 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Leonard Bernstein, New York Philharmonic | E♭ Minor | 2 | 2A | 113 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: The Love Scene | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | F♯ Major | 1 | 2B | 76 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 4, Allegro molto | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Minor | 1 | 7A | 114 BPM | ||
Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito | Johannes Brahms, David Zinman | D Major | 2 | 10B | 97 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 10, Samuel Goldenberg und Schmuyle - Promenade V | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": IV. Allegro di molto | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 2 | 9A | 117 BPM |
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