Michael Tippett, John Porter, Christopher Robinson's 'Five Negro Spirituals from A Child of Our Time: Nobody knows the trouble I see' came out on 1982. With Five Negro Spirituals from A Child of Our Time: Nobody knows the trouble I see being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 14 in Choral Music by Brahms, Britten, Standford, Tippett, Harris by The Choir of St George's Chapel, Windsor, Christopher Robinson. In terms of popularity, Five Negro Spirituals from A Child of Our Time: Nobody knows the trouble I see is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Five Negro Spirituals from A Child of Our Time: Nobody knows the trouble I see by Michael Tippett, John Porter, Christopher Robinson is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Francesca da Rimini, Op. 25, Scene 1: My answer Is plain (Lanceotto) | Sergei Rachmaninoff, Svetla Vassileva, Misha Didyk, Sergey Murzaev, Gennady Bezzubenkov, Evgeny Akimov, BBC Singers, BBC Philharmonic Orchestra, Gianandrea Noseda | G Major | 3 | 9B | 174 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Yet doth the Lord see it not" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 2 | 8B | 135 BPM | ||
HFTMRX | KNOXVILLETRACKZ | D♭ Minor | 0 | 12A | 174 BPM | ||
Jesus of Nazareth - Epic Orchestral Version | Stavros Kleisiaris | E Minor | 1 | 9A | 140 BPM | ||
Stabat Mater, Op. 53: I. Stala Matka bolejaca (Soprano, Soprano & Alto Chorus) | Karol Szymanowski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe, BBC Symphony Chorus | G Major | 2 | 9B | 67 BPM | ||
Triple Concerto for Violin, Viola and Cello: II. Interlude. Medium slow — | Michael Tippett, Levon Chilingirian, Simon Rowland-Jones, Philip De Groote, Bournemouth Symphony Orchestra, Richard Hickox | D♭ Major | 0 | 3B | 123 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleep | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 1 | 3B | 91 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Respighi: Trittico botticelliano: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM |
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