"Triple Concerto for Violin, Viola and Cello: II. Interlude. Medium slow —" by Michael Tippett, Levon Chilingirian, Simon Rowland-Jones, Philip De Groote, Bournemouth Symphony Orchestra, Richard Hickox was released on May 1, 1995. The duration of Triple Concerto for Violin, Viola and Cello: II. Interlude. Medium slow — is about 3 minutes long, at 3:09. Based on our data, "Triple Concerto for Violin, Viola and Cello: II. Interlude. Medium slow —" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Tippett: Triple Concerto / Concerto for Orchestra". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Triple Concerto for Violin, Viola and Cello: II. Interlude. Medium slow —'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Triple Concerto for Violin, Viola and Cello: II. Interlude. Medium slow — by Michael Tippett, Levon Chilingirian, Simon Rowland-Jones, Philip De Groote, Bournemouth Symphony Orchestra, Richard Hickox having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Octet, Op. 7 (Arr. for String Orchestra by Wilson, Lovell-Jones & Nelson): III. Lentement | George Enescu, Sinfonia Of London, John Wilson | E Major | 1 | 12B | 85 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Keng-ca-fou, Mah-jong (The Chinese Cup, The Tea Pot) | Maurice Ravel, Delphine Galou, Jean-Paul Fouchécourt, Orchestre National De Lyon, Leonard Slatkin | D♭ Minor | 1 | 12A | 130 BPM | ||
Irmelin Prelude | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | F♯ Major | 0 | 2B | 96 BPM | ||
Ritual Dances (From "The Midsummer Marriage"): Transformation & Preparation for The Second Dance | Michael Tippett, Orchestra of the Royal Opera House, Covent Garden, Sir John Pritchard | D Major | 3 | 10B | 82 BPM | ||
Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) | Felix Mendelssohn, Simon Keenlyside, William Whitehead, Paul McCreesh, Gabrieli | B♭ Major | 2 | 6B | 72 BPM | ||
A Child of Our Time: Nos. 3-5. Scene, Is Evil Then Good? - Chorus of the Oppressed, When Shall the Userers' City Cease | Michael Tippett, Sir Colin Davis, Mihoko Fujimura, Matthew Rose, London Symphony Orchestra | F Major | 0 | 7B | 77 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM | ||
Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM |
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