Johann Sebastian Bach, Glenn Gould's '9 Little Preludes, BWV 924-932: Praeambulum in G Minor, BWV 930' came out on 1957. The duration of 9 Little Preludes, BWV 924-932: Praeambulum in G Minor, BWV 930 is about 3 minutes long, at 3:21. Based on our data, "9 Little Preludes, BWV 924-932: Praeambulum in G Minor, BWV 930" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 10 out of 90. On top of that, United States appears to be the country where this track was created. Based on our statistics, 9 Little Preludes, BWV 924-932: Praeambulum in G Minor, BWV 930's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 9 Little Preludes, BWV 924-932: Praeambulum in G Minor, BWV 930 by Johann Sebastian Bach, Glenn Gould to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in B-Flat Major, Op. 9, No. 11: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 3 | 6B | 114 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Sonata in B Minor, K. 87: Andante | Domenico Scarlatti, Ivo Pogorelich | B Minor | 0 | 10A | 147 BPM | ||
Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital Remaster | George Frideric Handel, Sviatoslav Richter | E Major | 0 | 12B | 144 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | ||
Nocturne No.12 In G, Op.37 No.2 | Frédéric Chopin, Maurizio Pollini | G Major | 0 | 9B | 139 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.23 in B major BWV892 | Daniel Barenboim | E Major | 2 | 12B | 79 BPM |
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