Robert Schumann, Martin Helmchen's 'Waldszenen, Op. 82: No. 1. Eintritt (Entering the Forest)' came out on November 1, 2012. With Waldszenen, Op. 82: No. 1. Eintritt (Entering the Forest) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Robert Schumann: Waldszenen, Symphonische Etüden & Arabeske". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Waldszenen, Op. 82: No. 1. Eintritt (Entering the Forest) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Waldszenen, Op. 82: No. 1. Eintritt (Entering the Forest) by Robert Schumann, Martin Helmchen having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gesänge der Frühe, Op. 133 (1853): 5. Im Anfang ruhiges, im Verlauf bewegtes Tempo | Robert Schumann, Mitsuko Uchida | D Major | 0 | 10B | 78 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
3 Morceaux, Op. 33: No. 1. Prelude | Anatoly Lyadov, Olga Solovieva | A♭ Major | 0 | 4B | 181 BPM | ||
6 Épigraphes antiques, L. 131: I. Pour invoquer Pan, du vent d'été | Claude Debussy, Orchestre de la Suisse Romande, Kazushi Yamada | D Minor | 0 | 7A | 93 BPM | ||
Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | A♭ Major | 1 | 4B | 109 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VII. Campanae Parisiennses | Ottorino Respighi, Konstantin Scherbakov | C Major | 0 | 8B | 132 BPM |
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