3 Morceaux, Op. 33: No. 1. Prelude
Anatoly Lyadov, Olga Solovieva
Lyadov: Complete Works for Piano, Vols. 1 & 2
1:01 September 4, 2012
BPM
181
Key
A♭ Major
Camelot
4B

Embed

Share Link

3 Morceaux, Op. 33: No. 1. Prelude - Anatoly Lyadov, Olga Solovieva Information

Acousticness
100%
Danceability
21%
Energy
2%
Instrumentalness
84%
Liveness
8%
Loudness
41%
Speechiness
5%
Valence
29%
Popularity
Loudness
-35.366 dB

Summary

Anatoly Lyadov, Olga Solovieva's '3 Morceaux, Op. 33: No. 1. Prelude' came out on September 4, 2012. With 3 Morceaux, Op. 33: No. 1. Prelude being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Anatoly Lyadov, Olga Solovieva's "Lyadov: Complete Works for Piano, Vols. 1 & 2" album is number 25 out of 68. The popularity of 3 Morceaux, Op. 33: No. 1. Prelude is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

3 Morceaux, Op. 33: No. 1. Prelude BPM

We consider the tempo marking of 3 Morceaux, Op. 33: No. 1. Prelude by Anatoly Lyadov, Olga Solovieva to be Presto (very, very fast) because the track has a tempo of 181 BPM, a half-time of 90BPM, and a double-time of 362 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

3 Morceaux, Op. 33: No. 1. Prelude Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bagatelle, Op. 1: No. 1, Allegretto by Valentin Silvestrov, Natalya PasichnykBagatelle, Op. 1: No. 1, AllegrettoValentin Silvestrov, Natalya PasichnykE♭ Major05B72 BPM
Marionnettes, Op. 29 by Anatoly Lyadov, Yoko KikuchiMarionnettes, Op. 29Anatoly Lyadov, Yoko KikuchiE♭ Major15B122 BPM
Mussorgsky: Pictures at an Exhibition: II. The Old Castle by Modest Mussorgsky, Elisabeth LeonskajaMussorgsky: Pictures at an Exhibition: II. The Old CastleModest Mussorgsky, Elisabeth LeonskajaB♭ Major06B135 BPM
Fantasiestücke, Op. 12: I. Des Abends by Robert Schumann, Martha ArgerichFantasiestücke, Op. 12: I. Des AbendsRobert Schumann, Martha ArgerichG Major09B141 BPM
Une tabatière à musique, Op. 32 by Anatoly Lyadov, Yoko KikuchiUne tabatière à musique, Op. 32Anatoly Lyadov, Yoko KikuchiA Major211B115 BPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major by Antonín Dvořák, Stefan Veselka2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G MajorAntonín Dvořák, Stefan VeselkaG Major09B66 BPM
Variations on a Theme by Robert Schumann, Op. 20: Var. 6 by Clara Schumann, Lisa Maria SchachtschneiderVariations on a Theme by Robert Schumann, Op. 20: Var. 6Clara Schumann, Lisa Maria SchachtschneiderB Minor010A77 BPM
Pavane pour une infante défunte, M. 19 by Maurice Ravel, Anna VinnitskayaPavane pour une infante défunte, M. 19Maurice Ravel, Anna VinnitskayaE Minor09A67 BPM
An die Musik, D. 547 (Arr. Moore) by Franz Schubert, Angela HewittAn die Musik, D. 547 (Arr. Moore)Franz Schubert, Angela HewittG Major09B63 BPM
Brahms: 7 Fantasias, Op. 116: V. Intermezzo in E Minor by Johannes Brahms, Nicholas AngelichBrahms: 7 Fantasias, Op. 116: V. Intermezzo in E MinorJohannes Brahms, Nicholas AngelichA Minor08A58 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.818152666091919

End: 0.8223631381988525