"Nachtstücke und Arien: 5. Nachtstück III" by n/a, Hans Werner Henze, Michaela Kaune, Peter Ruzicka, NDR-SO was released on 2001. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in n/a, Hans Werner Henze, Michaela Kaune, Peter Ruzicka, NDR-SO's "Hans Werner Henze: Drei sinfonische Etüden / +" album is number 12 out of 13. On top of that, Germany appears to be the country where this track was created. Nachtstücke und Arien: 5. Nachtstück III is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nachtstücke und Arien: 5. Nachtstück III by n/a, Hans Werner Henze, Michaela Kaune, Peter Ruzicka, NDR-SO to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sapho: Solitude | Jules Massenet, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): I. Verano Porteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Clarinet Quartet: I. Notturno. Adagio | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Variations on an Anatolian Folk Song | n/a, Carlo Domeniconi, Sanel Redžić | E Major | 2 | 12B | 119 BPM | ||
Puck "Fleeing from the Dawn" | Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins | A Major | 2 | 11B | 105 BPM | ||
Concerto for Clarinet and Saxophone, "Laurentian Reflections": III. Laurentian Rapids | Maya Badian, Iurie Frotovcean, Alexei Litvin, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B Minor | 4 | 10A | 105 BPM | ||
R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) | ROBERTO CARPIO, Juan José Chuquisengo | D♭ Major | 3 | 3B | 121 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Songs of Separation: I. The Garden | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | G Major | 1 | 9B | 106 BPM | ||
Orbits for Clarinet Solo: I. First Movement | Charles Camilleri, David Campbell, Godfrey Mifsud, Susanne Stanzeleit, Julian Jacobson | D Minor | 0 | 7A | 75 BPM |
Section: 0.7194344997406006
End: 0.7237849235534668