"Missa Papae Marcelli: Kyrie" by Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers had its release date on July 1, 1990. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 9 in Allegri: Miserere - Palestrina: Missa Papae Marcelli by The Sixteen, Harry Christophers. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Missa Papae Marcelli: Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa Papae Marcelli: Kyrie by Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul) | Pavel Chesnokov, The Sixteen, Harry Christophers | G Major | 1 | 9B | 134 BPM | ||
Stabat Mater dolorosa | Josquin des Prez, La Chapelle Royale, Philippe Herreweghe | G Major | 1 | 9B | 138 BPM | ||
Missa Sancti Josephi, ZWV 14: No. 3 Et in terra pax | Jan Dismas Zelenka, Julia Lezhneva, Daniel Taylor, Jonathan Sells, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | B Minor | 2 | 10A | 89 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
The Creation, Hob.XXI,2: Pt. 3, Praise the Lord, Ye Voices All! | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Margaret Lias, Harry Christophers | B♭ Major | 5 | 6B | 114 BPM | ||
Cantique De Jean Racine | Monks And Choir Boys Of Downside Abbey | D♭ Major | 1 | 3B | 73 BPM | ||
Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM |